Saturday, December 6, 2008

marks upon the body

Where have all the stories gone? Or where is my strength to tell them? Do I see only events and not the meaning stringing them together, dancing in between like giddy fireflies? Do I no longer read the tea leaves? Or look to the stars for something new? The announcement.


The wooden table at which I sit is covered by rings left by mugs and bottles and glasses, light near-circles in the tan series of two-inch strips of smooth, mismatched grain that make this table. The oily smears left by dishes set just out of the gas oven and upon the bare wood for a feast of who can remember what. I can. I can trace mornings and nights of my own life in the various marks across the surface before me. Some of them I am not consciously acquainted with, but they are there. Like, last week I sat down for a little grooming, and when I went to trim my toenails, the toenail on my left littlest piggy almost came off in my fingers. There was no pain at all. I was surprised. It was just hardly connected to me at all. I could not tell you when I could possibly have done enough trauma to it to make it ready to fall off like that, although there must have been a story there somewhere. This table too - I don't know all of the stories; I am sure they are there. I see evidence of it.


I come more and more to view my own body, and then, my own life this way. The Petit Prince on my back flying through the unknown stars holding tight to a tethering of des ouiseaux sauvages - wild birds. The pinkish strip of flesh on the inside of my right arm where I burnt it cooking. My right shin where I slipped in a Starbucks and bled a lot. The mark under my lower lip usually covered by my scruffy beard but visible when I make a certain face, where I fell down the stairs of my grandmother's old house with a bottle in my mouth not much more than a year old and warranting a couple of stitches. I see the scars as well as the tattoo across much of my back and briefly understand how I cannot choose all of the marks that will be upon me. I haven't chosen nearly any of them, but they are there. Telling me a story like rings on a tree - this was the year there was a fire, this here a drought, this a terrific snow and this so much a year of plenty. Do you remember? Do you see it? The world around me and also me in it carry the story of everything that's happened. That's not archeology; it's just living.


This has been some kind of year. Five addresses in just barely more than a year's time. Different cities, countries. Three deaths since May, the most recent just last week. And this is not nearly enough to describe the story it has been to live it and all else. I see it all not stoically but maybe more like somebody reading a book, one I appear in, though it is not really my own. There is some other story being writ, and I'm on the edge of my seat as much as anybody. And it makes each day an amazing thing to wake up to. The maxim is that Wisdom is Knowledge perfected through Suffering. I can see how the Lord is a gracious yet fearless storyteller. Just as I find meaning and guidance in the near-absence of my little toenail (remember where you placed your bedside table when you rise at 4am to pee), these marks which rarely carry physical pain do carry a story like a fire that is taken from place to place in warmth to set up camp.


Which reminds me: a couple of years ago, my brother Tim and I went camping in the highlands of Virginia to spend some time together before I moved away to Lyon, France. Neither of us is much an experienced outdoorsman, but neither is either of us the sort to readily admit that he doesn't have much to rest his principles on when building a fire at night. (Just ask my roommate Jeremy, as we have a fireplace in our house. There still sit barely-charred logs in the hearth that I can't seem to get to catch reliably on fire...) Tim and I went about working very hard and concentrated-like as if there was great and focused purpose in every pain we took. We didn't speak much if I remember it. We set up all kinds of complex architectures within the circle of stones in front of where we'd pitched our tent in the afternoon mountain sun, and as the light was fading unforeseen fast, we succeeded in making so great and satisfying a conflagration that before long we couldn't help but start to remark to each other on its size and warmth and what else you can say about a fire, doing less and less to hide how impressed with ourselves we really were. We sat for some time before the flames, periodically stripping both the standing and felled trees around us of their dead limbs, venturing forth with headlamps to find what brush and sticks we could lying in the ungrazed grasses. Then out of the moonless dark emerged a middle-aged lady and two children, a boy and a girl. She greeted us in a strong voice and a little out of breathe, pacing her company on over to our fire with a walking staff in her hand. She explained, unremarkably, that her boyfriend had grown annoyed over something or other and wandered off in the dark without a light, and now was separated and lost. She asked if we'd mind keeping the children while she went off to find him. I don't remember exactly consenting, it happened fast, but we must have because in another moment she was instructing them to sit and wait with us and then she passed out of the light of the fire and was quietly gone. It seemed to be some kind of a situation, and the kids weren't emoting or anything, so I wasn't sure whether to talk to them in comfort or just leave them be. I tried to chat with Tim, which we hadn't been doing in the quiet and peace of the night, but I wanted the kids to hear us talking and maybe discover something about us that way that might assure them that they were safe in our company. In retrospect, maybe they weren't even wondering at all. It was enough time to make me wonder before the woman returned with her boyfriend, of whom I remember very little other than how admiringly he remarked upon our fire and how a person could see the light of it all the way down and across the valley. Apparently it had helped to guide him back in. He sounded relieved.


I think about that. Two brothers who maybe didn't have a pocketknife between them building a fire to bring back safe somebody with enough sense to have a walking stick but not a flashlight with them. I marvel at it. We weren't writing our story. We were being written in it, and isn't it just like the Lord to give us light bright enough to shine into the darkened valley for the good sake of some other similarly flawed and prideful traveller. And we thought it was for us.


In the Hagakure, or The Book of the Samurai, Yamamoto Tsunetomo recounted long ago a story wherein "there was a council concerning the promotion of a certain man, [and] the council members were at the point of deciding that promotion was useless because of the fact that the man had previously been involved in a drunken brawl. But someone said, 'If we were to cast aside every man who had made a mistake once, useful men could probably not be come by. A man who makes a mistake once will be considerably more prudent and useful because of his repentance. I feel that he should be promoted.'

"Someone else then asked, 'Will you guarantee him?'

"The man replied, 'Of course I will.'

"The other asked, 'By what will you guarantee him?'

"And he replied, 'I can guarantee him by the fact that he is a man who has erred once. A man who has never once erred is dangerous.' This said, the man was promoted."


I'm constantly pulling price tags and labels off of things. I'm constantly prying answers from near-strangers to questions that only friends would think or like to ask or have asked of them. I want the underneath of the world and it's people. I want everything undressed and simple and exactly what it is for the love and honesty in it. Nothing to hide because that's not what we want from living or from even the Lord of it. There is nothing to hide but the very light we have been given by our scars and by our stories, and by the grace of God. I squint determinedly into everybody's eyes to see that holy, rough and tumble light. I long for it. Maybe I'll see it and get somehow across this midnight valley into the company of brothers and sisters who ought not either be alone. Maybe this is why I tell stories (my roommates have come to expect me sitting down before them saying, "I want to read you something") and why I'm asking you to tell your own every blessed time you're around. The Lord is there, and I don't usually see it but in the telling. Just as, I do not feel the warmth of the fire except in building a fire that I cannot keep from burning so bright and just long enough to be spotted and approached.


Come to this table that the Lord has prepared, and make a mark on it. Not something you'd called a pretty mark - and neat and sensible mark. Rather a mark by the bowl of bread from the oven that we'll break (the bread that is, not the oven). A ring by the glasses of wine that we will share. Our lives marked by the grace of this communion, and I'll understand at last why the apostles referred to us all as The Body. It looks so very much like my own.

Monday, May 12, 2008

everything after

I constantly catch myself thinking that it would somehow make more sense if this was just the worst joke ever perpetrated on anyone in the history of mankind. I could more easily believe that. I could find such a terrible joke much more easy to forgive. I'd let it slide if I could have her back.


this is not a joke

it's much too hard to know

that the last time was the last

time i'll ever see her smile


We drove up 85 following distant, compact thunderstorms like a daffodil exploding always before us and at the perceptual end of the road we traveled. It seemed right. We are driving into a thunderstorm. Lightning will flash. The automatic windshield wipers will tick on from time to time, absent-mindedly like a nervous smoker.

These are not the reasons I like to travel. It's Jeremy's first time in Chapel Hill. I don't know what to make of that for him. I don't even know what we'll see today. Two twin mattresses and an inflatable grouped across the floor and us in no particular order. Somehow representative of this whole week: people and bedding in close proximity and no order to be made of it. Doubt there ever will be.

In an odd way, I feel so strongly that she would love the simple fact that all of us are together and with so much love and need for the other. I wonder if that's how she saw us anyways: love and need. Needing to love and be loved. Masha told me she was asking Jeremy if he thought he'd ever have opened himself to being loved if Ira hadn't passed away. I said that we rather want it all, believing that we could change without such great loss. That she didn't have to die. I believe that: she didn't have to die. I don't know if it's true, but I do feel like this belief has much to do with how unfair this all feels. How wrong.

It feels constantly like I may the next moment wake up from this. I may shake this off with sleepy eyes and tired limbs and an already fading memory of how awful it's been. I feel fine, and all of a sudden I feel like everything about me is a star imploding, soon a black hole where even such speedy stuff as light cannot escape. I watch everything along the event horizon disappear.

They are all asleep now beside me. Will this be the most peaceful we will seem all day? All year?

Masha and Natasha said not to view the body. I have no idea anymore. You're not supposed to have to learn things like this.

At the coffee shop last night, I made straight for the bathroom in the back after the gig. I cried there and did what I could to improve my face with cold water and paper towels. When I walked out, Jessica and Danielle and Nicole were all standing directly in front of me. I said, "That's embarrassing." They gave me hugs. Jess asked me how I was. I said, "You know..." She asked how the week's been. I tried to say something but turned and stepped back into the bathroom and cried harder. I guess that's about as true an answer to that question as anything I could have gotten out.

"There is no compass for this. There is being honest. There is the participative miracle. There is not letting it go. What miracles we are, wrapped like this in thin flesh and a cage of bones." Me writing to Ira.

Or, "DO EVERYTHING YOU CAN. life is short. YOU ARE BETTER THAN AN IDLE MOCHA." Ira writing to me.

I have so many things to tell her. Who do I tell now?

Take care of the others, I feel she'd say, or at least she'd do, and we all know now to take our cues from what she would do. 


you're dusting me with rainclouds

you're calling from the sun

you've thrown your arms around me

as if you're the only one

as if you're the only one



dry your eyes

you have only been dreaming all this while


Oh God, keep me through all that is to come, to grow instead of shrink, to love instead of fear. I will really need all of your friends, Ira. I suppose I should thank you for assembling them, though I would have preferred it was you who made the introductions. As it stood, I had to do them all by myself. I felt you. I feel you around them. I want always to sleep in their rooms.



Yesterday, the day she was buried, was so heavy, and yet I remember so much laughing. I'm told that's how these things are supposed to go. I don't see why anyone would ever claim they're suppose to go at all. It seems like anything can make us cry. It takes so little. Everything sounds like her, is redolent of her, reminiscent of her, full of her. Is her. Will it always be that way?

Sitting at a magical cafe we laughed so much. So much. It'd been a year since I'd laughed that hard for that long. Hannah said, "I want to take this group of people around with me for the next month. Then it would be OK." I remember just the slightest silence. We all knew what she meant. Her friends are family, and I'd so buy a really big house with so many rooms for us to live in and hang such a huge picture of her right at the doorway, hang swings from the tree limbs, hang lights from the trees, cook things, love each other. I think it would be grand.


Everything resounds like an increasing echo chamber. You feel her in the air. Memories of her do not feel like memories. They feel immediate, like they are happening right now, for the very first time. I heard somewhere that the act of remembering is like making the memory for the first time. Remembering actually re-engraves it all. That's what it feels like.


Ira wrote, "Ah, hell with it, I say. I am officially fed up with Potential. That has to equal Kinetic. With Force!" And, "When I won't grow up, I'll be a mad scientist on the rooftop of an attic making green potions anletters to monsters, animals that talk back." And then, "Please have a wonderful night and don't worry, you're more insane then you think, and never as crazy as you fear." And now truly, "Au revoir (literally: Till Next Seeing), with all my love, ira".


Till next seeing, there is such hope, sometime-painful, unbelievably strong hope for that day.


I remember once she said we were, in a way, twins. I'm sure she felt that with others. I'm also sure that with her gone it does not really feel like being all alone. I have a brother. I know this feeling. When they're not there, you still know so clearly, so presently that you're one out of two. There is someone absent that very much ought not to be. I've got a twin somewhere, and it hurts that she's not here.


Ira had a way of meeting someone at the exact point of their greatest insecurity and making them feel like it was just fine. Like they were beautiful. What kind of kindness is this? What kind of love shown? What kind of life lived, hope known, joy given? So many stories like these have been told in what has not yet even been one week, and in the deafening awe that has followed each one of them someone would reply, "That's just Ira. That's exactly how she was." That's exactly how she is, and it's been unbelievably a lot.

This is hard. I miss her. It's cliche, but the time was so much too short. I feel envy of all these people who were able to spend so much more time with her than I, but knowing what Ira is like, I do not doubt they also, every one, feel time has cheated them of days, minutes, years. The hurricane force of her love and her life, I yearn for these, but also my heart is so full of her, of hearing her in the laughter and tears of her family and friends, of seeing her in their faces and company and absence, of knowing every day the effects of all that she gave even me in such a short time, and then I know she can't be gone.

Thursday, March 20, 2008

musical interlude

I am working on the next post. However, that was delayed. One of the reasons for which I will refer you to the page here to listen. It's the first song in the player, titled Where Is. If the player gives you trouble, just download it.

In a sense, that song is all I want to say for the moment.

Grace and peace.

Wednesday, March 5, 2008

Not so fast.

I have a lot of things. Being an American of a certain class, age, era, skin color, education, this is not terribly surprising. None of them make me content, alive, engaged like people do. You don't own people. Not the part of them we deeply desire to know. They sometimes flit in and out, and that's quite difficult to take. I grow attached. I grow affectionate. No, I do grow affectionate, but that's leaving out something so as to present a more altruistic, philosophical version of myself. I don't grow affectionate only, but I grow a great deal dependent upon their presence. Not something done, but the assurance that no one's going anywhere.

The thoroughly contradictory thing about this is that I leave. I have left. Odds are, I'll lace my shoes, grab my bag and just a bit more than the essentials, and I'll hit that road out of town again before too much time. Which makes me the leaver, but it doesn't change how I feel. I can never grow into an acceptance of no one coming with. Though I do not mean nor want to, I leave alone.

About a week ago, I grew restless in the house and grabbed my keys and my grey hoodie and hopped in the car. I drove to East Blvd., parked at one end of it, walked to the sidewalk and made my way to the other end and back. I said somethings to God along the way in the dark between the trees, asked some questions about Why. The thought occurred to me that we are not to question Why. That we are to receive a peace wholly outside understanding. I felt no such peace, and the progression of my life seemed broken somehow, missing some essential things while adorned with all the pleasant accoutrements of a comfortable, complaint-free existence that do a great job of reminding me of the backwardness of it. So the riposte occurred to me after, I shouldn't feel any need to question if things were working out as it seems to me they should. If things didn't feel so broken, how should I come to ask Why? I think, in a way, that I shouldn't much care, being rather in the process of dancing along at a pretty fine clip, and not alone either.

This is perhaps a good part of the answer to Why. I would carry on at a fine pace, and miss all manner of miracle along the way. The daily miracle. This sort is what is very difficult for me to witness, by the way. They require of a man some measure of patience. One of my coworkers has a good number of tattoos, sleeves, down his legs, all of them Biblically themed. (Well, all I can see...) I saw writing across his wrist the other day passing him in the store. I grabbed for him and turned his arm to the inside and read "Patience" there written in curling script below his palm.

"I was going to get all the fruits of the Spirit tattooed," he said smiling. "But then I figured I should probably wait on the others until I have this one mastered first."

"If it was me I'd be waiting quite a while," I said. Of course, the contradiction, the joke of it is that the impatient man would not wait on patience.

There's the rub. The impatient will not wait on patience. It sounds tautological, but I think there's something substantive about it. Here, now. I find greater and greater reason to hold to my grandest hopes and expectations day to day. To take these processes, these inches travelled with those whom I do hope and suspect in my heart I may travel miles yet. We may keep good company, but let us listen one day at a time: let us watch the slow unfolding of the miraculous. Let us fight patiently, honestly, hopefully to lose this fear we have one of another.

We ourselves may be His miracle.

Sunday, March 2, 2008

We don't expect this.

I'm making more music than I was. Dates are being assigned to departures. To chapters. I think about giving myself, about moving just outside this fear of offering my affections to the opinion of others. (Could "good luck" just this once be an honest admonition and not a proffering  of cynicism? Please, dare we hope for good things instead of this inevitability of disappointment?) I miss things in the future way. Isn't that what dreaming is most like? Homesickness for homes we have yet to build, inhabit, adorn. If there were a sea of people, I would dive into it, but hold the hands of my family. I feel I'd believe better if I thought people believed in my ability to do so. Which unfairly places my own burden upon those around me. Is this what community is like?

Less esoterically. What Roman philosopher was it said that the point of drama was to entertain and to instruct? I suppose I shall aim for something of the same here.

In communities of late, where I had so recently seen peace and security, I see people departing and immediately beginning to scratch their heads, wondering if really anybody holds them tight after all. Some instant flirtation with a terrible lie.

I still remember throwing open the windows of my ground-floor apartment, watching the springtime wind blowing things and people past, playing joyful music, cleaning, cooking, singing along. A friend came walking down the sidewalk and announced her presence through the tall windows in the living room before even knocking on the door. I felt I was providing the sounds of my stereo to passersby, giving them some comfort, a grin and a glance cast about for the source of the happy music. My friend and I, we watched them pass from the room by the windows with cups of coffee, empty bottles of lager on the table between us, limes resting on the bottoms. Tell me that's not as it should be.

I feel I can dream. I feel it might disturb people to do so. I feel that is sometimes what dreaming is for. Dreams disturb people sitting some other place, not wishing for ideas of another.

"I have a dream..." after all.

Next time, I'll be specific. Forgive the first missive being what's underneath and often barely given name.